翻訳と辞書 Words near each other ・ The Return of the King (disambiguation) ・ The Return of the Living Dead ・ The Return of the Los Palmas 7 ・ The Return of the Magnificent ・ The Return of the Magnificent Seven ・ The Return of the Mail-Order Bridegroom ・ The Return of the Manticore ・ The Return of The Marvelettes ・ The Return of the Musketeers ・ The Return of the Musketeers, or The Treasures of Cardinal Mazarin ・ The Return of the Native ・ The Return of the Pink Panther ・ The Return of the Prodigal Son (album) ・ The Return of the Prodigal Son (Rembrandt) ・ The Return of the Psychopath ・ The Return of the Rat ・ The Return of the Regulator ・ The Return of the Riddle Rider ・ The Return of the Shaggy Dog ・ The Return of the Sister Street Fighter ・ The Return of the Soldier ・ The Return of the Soldier (film) ・ The Return of the Son of Monster Magnet ・ The Return of the Sorcerer ・ The Return of the Space Cowboy ・ The Return of the Spice Girls ・ The Return of the Tall Blond Man with One Black Shoe ・ The Return of the Thief of Baghdad ・ The Return of the Third Tower ・ The Return of the Vampire Dictionary Lists mini英和辞書 mini和英辞書 Webster 1913 Latin-English FOLDOC Wikipedia English ウィキペディア

翻訳と辞書　辞書検索 [ 開発暫定版 ] スポンサード リンク The Return of the Rat ： ウィキペディア英語版 The Return of the Rat ''The Return of the Rat'' is a 1929 British silent drama film directed by Graham Cutts and starring Ivor Novello, Isabel Jeans and Mabel Poulton. It was made by Gainsborough Pictures at their Islington Studios. ==Background== ''The Return of the Rat'' is the last of a trilogy of films starring Novello as Pierre Boucheron (The Rat) and Jeans as his sometime lover, sometime nemesis Zélie. Marie Ault also appears in all three films. Like its predecessor ''The Triumph of the Rat'', ''The Return of the Rat'' does not take the story up from where the previous film had ended, instead opening with a scenario which does not seem to flow logically from the previous film's conclusion. ''The Triumph of the Rat'' closes with Pierre destitute and on the street, a situation brought about mainly by Zélie's spite and vindictiveness, yet by the start of ''The Return of the Rat'' the couple are married. Contemporary reviewers noted that it seemed implausible in the extreme that the character of Pierre as previously portrayed would have sought charity from the very architect of his downfall, let alone married her. ''The Return of the Rat'' is generally considered the weakest of the trilogy, consisting largely of recycled plot devices and set pieces from the earlier films. Another weakness is cited as the jarring, and to all appearances random, interpolation of a pair of comedy Cockney characters whose presence in the Parisian setting seems highly incongruous and does not appear to serve any particular dramatic purpose in the film. The film's technical values are well-regarded however, with film historian Christine Gledhill citing it as "Cutts at the height of his visual powers".〔(Graham Cutts ) Gledhill, Christine. BFI Screen Online. ''Retrieved 21-09-2010''〕 抄文引用元・出典: フリー百科事典『 ウィキペディア（Wikipedia）』 ■ウィキペディアで「The Return of the Rat」の詳細全文を読む スポンサード リンク 翻訳と辞書 : 翻訳のためのインターネットリソース Copyright(C) kotoba.ne.jp 1997-2016. All Rights Reserved.